| Role | Production | Producer | Director |
|---|---|---|---|
| Phoenix, Self | Phoenix, Firefly, and the Endless Highway | Don't Panic Panic | Daniel Bracy |
| Devising Ensemble, Orpheus | The Pomegranate Tree | Dacha Theatre | Suz Pontillo and Ayla Wren Wallace |
| Devising Ensemble, Multiple Roles | Scrambling The Goose | Washington Ensemble Theatre | Amber Tanaka and the Ensemble |
| u/s Marlowe, Martin, Jorge, Merry Andrew | A Thick Description of Harry Smith (Vol. 01) | UW School of Drama | Nick O'Leary |
| Devising Ensemble, "The Musician" | The Veil | Dacha Theatre | Nathan Whitehouse |
| Jimmy Curry | 110 in the Shade | Reboot Theatre Co., Seattle Public Theater | Scot Charles Anderson |
| Yin, Pui, Guang, u/s Boh | She-Devil of the China Seas | Pork-Filled Productions | Kiefer Harrington |
| Spencer | how to clean your room (and remember all your trauma) | WWU CFPA | Evan Mueller |
Skills |
Training |
|---|---|
Puppetry: Glove, hand-and-rod, found/object Folk Dance: Square, contra Shape-Note/Sacred Harp Singing Voice: Tenor/Baritone |
David Glass Ensemble and JEUDi: Alchemy of the Extraordinary; David Glass, Simon Gleave, Korina Kokkali (2023), Athens, Greece Pacific Performance Project/East: Physical Approaches to Performance (Suzuki and Slow Tempo); Robyn Hunt and Steve Pearson (2024), Seattle, WA |